.
Rating 108449 votes.
duration 121 min.
genre Drama, Horror.
Release Year 2017.
User ratings 7,2 / 10
♢ ✰✭♤ψ✷⌘×▼⟱﹡✧≈✺❋⊛♢♣♥
♢ 按我
♢ ≈▲✷★❂⎈✧✧✫☆✼♦☆✶♤✵⇑✵
He was amazing in True Detective Season 2 and In Bruges.
It’s about missed ‘s all about handjobs! Lobster was better, but no handjobs.
I wonder if all of Yorgos’ movies are connected.
The resemblance between Barry Keoghan and Tye Sheridan is uncanny.
The things they do to make me click.
Oh I didn’t know that Lobster hasn’t been shown there. I feel like I’ve watched it months ago lol.
I left the move theater after 20 minutes, it wast the most painful 20 minutes in my life
bad dialogue, music, story and acting.
I wonder why they decided to have the final scene play out that way in the diner.
I didn’t get It. A mum would always sacfice herself for her children. She doesn’t do that. She’s says we can have another child.
I have no idea what this movie is about after watching the trailer. Not interested so far.
Well this is new… i’m interested.
Life would be a lot easier if I looked like Colin Farrell.
I think you missed out on a few big themes here, the first being the message of the name. The Killing of a Sacred Deer is vagueing the tale of Iphigenia, the princess if Nycnae. Her father was forced to sacrifice her, as he offended Artemis (the goddess of the hunt) by killing a sacred deer she was particularly fond of. She then forces his troops from reaching Troy unless he sacrifices his daughter to make up for the death of the deer. This entire plot line is entirely based on that premise, an angry god seeking to create equality where a wrong has been done, which leads into a main theme you seemingly overlooked, equality. Throughout this film, Martin seeks to create equality. He bites his own arm when he sees Stevens arm is wounded. He requires a sacrifice from Stevens family because one from his own has died. Both the children loose control of their legs eventually, and I’m sure more I can’t think of. Just a thought.
Please do a remote with steven yeun and collin in a korean spa.
I wouldn’t call it a psychological thriller, its characters don’t show real psychological features and as for its psychological effect on the audience. well. every movie produces that. As for The Shining. it’s a totally different animal, it’s based on a book, its characters are psychologically way more real, it despicts confirmed supernatural powers, its a horror movie confined in an isolated place with the building being a character too; the only think I’d say they have in common it’s the shots of long lighted hallways, the use of an improvised prison, the decay of the characters, etc. People who went to see The Shining had a lot of fans of the book so. that could’ve increased the mixed reception; specially considering the main theme of the book that’s not addressed in that movie, that of Jack’s alcoholism (thing that even upset Stephen King. The Killing of a Sacred Deer does a great job in mixturing robotic behavior with feelings, it does a much better job than The Lobster (with this focused more on the comical effect than having its own manifestation) One thing that doesn’t change is Martin’s behavior, the way the expresses his feelings throughout the movie is always the same and at the same time it fits with a real case of psychological issues. There’s only one scene where he doesn’t behave in the same way, the scene where he’s smoking while tied up. His aim is vengeance, not justice; it’s not an eye for an eye; he even says so ‘feeling better’ as he bites off one piece of his meat (not an equal wound, a potenciated one) besides he wants to kill somebody, he’s got a reason, a plan and a desire. that’s totally different from killing somebody by a negligence; even the way he does it is slowly and traumatic (maybe it’s the kind of justice articualted by Greek Gods or even as a fake notion of justice people have in their minds) I appreciate that you are fully invested in movies at your age, I hope you can make a movie someday.
I love colin farrell. one of my fav actors.
La 27harog a 27yal kadosh meaning
Hate how they all talk like robots in the movie. The boy is brilliant though, I thought he was pretty much playing himself but clearly not.
Non of them is American, I found that interesting.
I wanna see Andys gear.
DAMN GOOD TRAILER.
Personally I can never get behind what Martin did I can understand wanting something anything for the equalization of the subsequent murder of his father but to poison a family for the wrong doings of 1 person is something I can never say is right. The death of Steven at the end just solidifies to me that he’s an egotistical sociopath who deserves to be locked up and or killed for such a thing. Because the sum of his father’s life to Steven’s is not an equivalent exchange of justice to me.
One of the most disappointing and stupid movies I’ve ever seen… unfortunately.
I’m glad he’s back.
Well I think I know who will be cast as Tony Stark once Robert Downey Jr. quits.
Cinematographically perfect, beautifully acted, outstanding screenplay, masterfully directed, and wonderfully haunting, yet was missing something.
This feature has left me perplexed. On the one hand certain aspects just couldn’t be better, such as the aforementioned, contrarily I’m not sure if its my own personal disenfranchisement from the Horror genre, or if there is a hole, a great gaping hole missing from this film. This film is cold, stark, interesting, but lack character. It lacks a unique voice, which writes strange as this is a highly unique feature, it feels almost soulless. As if it knows not its own fate, and becomes more style over substance.
While I am a great admirer of Lanthimos’ style, I felt that it began to overcast this feature. The narrative is a compelling tragedy, about a doctor who’s past mistakes destroy his present, based on the 2400 year old Ancient Hellenic (Greek) Tragedy named ‘Iphigenia At Aulis’ by Euripides. His distinctive directorial style is allover this film, from its angulation, to dialogue delivery. It is clearly his work, with as aspect of Kubrick-esque flair thrown in that is present in many of his films, though only a little. The direction of this film is truly masterful, almost without fault, the narrative is a little slow (although this is common to Lanthomos’ features, it feels longer in this instance, something feel unbalanced. The film is sound, but yet feels a little wonky, dare I say undercooked. Like a Jenga tower, it could collapse if but a single brick is taken out. It only just fulfils the criteria, it is difficult to describe.
The performances are among this films great strengths, Colin Farrell is wonderful, although I believe for his performance here to be a little weaker than his previous outing with Lanthimos in ‘The Lobster’ it is still sound, and as layered. A complex character, extremely well crafted and realised, almost like as if I couldn’t imagine any other actor fitting the part quite so well. He sports a great beard in this motion picture, it covers much of his facial expression, which makes him seem more of a spectre, more difficult to read and to understand his viewpoint, which adds to the moral complexity of the feature rather well. In effect the beard was a clever addition, quite out of the norm of Lanthimos’ performances, but a clever piece.
Barry Keoghan as Martin is a character that is hard to forget, but for all the more lurid and deceitful reasons of his ways. For this character seems innocent at first, but is truly the paramount expression of evil behind a flower. His character is one of the most well portrayed, well characterised villains I have ever seen put to a film. For his actions are complex, manipulative and extremely well constructed by the screenplay. He is portrayed to every beat so well by Keoghan, truly it will be a performance to be remembered.
The rest of the cast is rather good too. Nicole Kidman as Anna Murphy, Raffey Cassidy as Kim, Sunny Suljic as Bob and Alicia Silverstone as Martin’s mother are all well portrayed. Neither of the younger performers are bad, in fact they are quite compelling and add to the films tone. Nicole Kidman is great, although I felt that her character while present for much of the film, was somewhat lacking in development.
The cinematography of this feature was, as many of Lanthimos’ films are, absolutely stunning. Id say this was his best looking film, visually, that he has made thus far (Excluding The Favourite. The way the camera is cold, it feels like viewing capsule, it is cold, antiseptic, like a hospital, and as I have already mentioned, a Kubrick Like style to the way it behaves. The colours used are all a thousand shades of blue and grey, it is a very limited palette, that gives an incredible depth, each shot is a spectacle. This adaptability which Lanthimos displays, across this different genre, shows just how incredible of a director he is, that it feels like he a master of everything he touches, simply by his command over visual information.
The set design was also very well crafted, with very open yet cold feeling locations. I read that this was filmed in a real hospital, and clearly they picked the right one. All the right beats are hit. The costume design is fair, but this is expected of a film in the Horror genre.
But as I have already stated: the film feels as if it is missing something. It feels like a brilliant showcase of cinematography, performances and screenplay, but it feels almost too cold, and too distant. It didn’t have the same engrossing power which Lanthimos’ earlier work possesses. The style began to take over, not in entire sections but from scene to scene. Some felt more tonally distant than others, some blended style and plot extrmely well, such as the spaghetti scene, or the corrior scene between Farrell and Suljic’s characters. While others such as the final scene, the walking scene, the medical examinations, began to meander a great deal.
In the end, I was somewhat disappointed with this feature, but it is by no means a bad film. It has some truly outstanding aspects, however its over-reliance on style and form, and perhaps too much distantness from the audience do detract it, and make it feel longer than its actual run time, or at least that;s how I felt. I would recommend this film to any Lanthimos fan or Horror fan, as it is a brilliant showcase of what can be done in those respective corners. I give it a 7/10.
La 27harog a 27yal kadosh lyrics.
GOODBYE MOTHER! This si the most WTF movie of the Year.
Colin WTF xD.
I’ll be useful sir.
Much hotter.
I watched at part of Daredevil on Monday & geez he looked weird as Bullseye.
What does the dR friend getting a handjob from his wife in the car mean? Like symbolically.
Was this a comedy? Instead of Colin Farrell they should have cast Ron Jeremy for the lead role.
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https://plaza.rakuten.co.jp/tsumitsuzato/diary/202005170002/
http://www.openlearning.com/u/viesiopenlo/blog/YesMoviesFreeStreamTheKillingOfASacredDeer
https://rukinimaza.storeinfo.jp/posts/8270873
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The Wolf of Wall Street
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